Writer,
Accessibility Advocate,
& Production Assistant
character-driven, detail-oriented, empathy-focused
Alison's writing—a unique blend of comedy, drama, naturalism, and absurdity—is rooted in social action and commentary.
Her comedy pilot, Mighty Mackerel, was a Second Rounder in the 2022 Austin Film Festival Screenplay Competition and her personal essay series, All the Times I Cried in Exercise Class, was published in The Three Magazine.
Previously, Alison worked as a public safety reporter. Most recently, she worked as a Script Production Assistant on developmental workshops for Suzan-Lori Parks' The Harder They Come at The Public (based the a film of the same name, directed by Tony Taccone and Sergio Trujillo) and a musical adaptation of Josefina López's Real Women Have Curves (book by Lisa Loomer, music & lyrics by Benjamin Velez & Joy Huerta, directed & choreographed by Sergio Trujillo).
She currently works as a freelance writer and an Accessibility Services Assistant at Playwrights Horizons, ensuring equitable access to theatre for audience members with disabilities, including but not limited to patrons who are Deaf/Hard of Hearing, Blind/Low Vision, neurodiverse, and use mobility aids.
Her comedy pilot, Mighty Mackerel, was a Second Rounder in the 2022 Austin Film Festival Screenplay Competition and her personal essay series, All the Times I Cried in Exercise Class, was published in The Three Magazine.
Previously, Alison worked as a public safety reporter. Most recently, she worked as a Script Production Assistant on developmental workshops for Suzan-Lori Parks' The Harder They Come at The Public (based the a film of the same name, directed by Tony Taccone and Sergio Trujillo) and a musical adaptation of Josefina López's Real Women Have Curves (book by Lisa Loomer, music & lyrics by Benjamin Velez & Joy Huerta, directed & choreographed by Sergio Trujillo).
She currently works as a freelance writer and an Accessibility Services Assistant at Playwrights Horizons, ensuring equitable access to theatre for audience members with disabilities, including but not limited to patrons who are Deaf/Hard of Hearing, Blind/Low Vision, neurodiverse, and use mobility aids.